Saturday, January 30, 2016

Digest for rec.arts.movies.local.indian@googlegroups.com - 1 update in 1 topic

sarbcpa@gmail.com: Jan 29 10:18PM -0800

On Friday, May 10, 1996 at 3:00:00 AM UTC-4, Ronny Singh wrote:
 
> --
 
> I hate Saif Ali Khan, so should you.
 
> Raven
 
Dalip Kumar is overated . i have watched ram or sham , ganga jamna , naya daur , dil diya dard liya , yahudi , azad - is a joke of afilm . Remeber this guy did only one or two films a year . Dilip like all older actors could not do action but thats hardly acting its just stuntmen . The actors with the most overarching expressions generally are confused as good. Dilip kumar can never be natural when happy . His happiness is limited and fake like amitabh's . Dilip kumar's anger is in his voice but will not show on his face . Watch Rajesh in Amardeep when he man handles Bindu or Intefaq etc and compare the voice will match his expressions. Dilip Kumar's sadness was ok In Black and white . He just happens to have a sad face when he is staring into the distance.In colour He would have been caught. Look at shakti or all his movies with subash ghai - I have never seen dilip show fear . Chk rajesh Khanna in safar or Bhola Bhala.He is only famous as tragedy king - which is pure overacting with the help of over the top makeup - ususally grows beard as amitabh has in old age and tears flowing intense staring into the distance or face buried in his head .What facial expressions did he use . His chheks are the same plain puffy without any definition regardless of whther he is happy sad or angry . The guy was pathetic as an actor but a great personality like amitabh, manoj kumar , shashi kapoor etc all decent actors but not great . Guru Dutt was another great or Balraj sahni , Rajesh khanna or sanjeeve kumar or nasirudin shah or kamla hassan . Govinda gives better comedic expressions in one scene than a dilip or amitabh will give you in a whole film . Rajesh khanna can go fom extremely happy to extremely sad in 30 seconds as can Amir Khan realistcally . Check out Sacha Jhootha - Meri Pyari behania banegi dulhania - song
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Friday, January 29, 2016

Digest for rec.arts.movies.local.indian@googlegroups.com - 1 update in 1 topic

habshi@anony.net: Jan 29 07:20PM

excerpt
 
http://www.bbc.co.uk/news/magazine-35374132
 
The mysterious power of old Bollywood LPs
 
There are few things that put me in such a nostalgic mood than a vinyl
record of Bollywood songs from my childhood. I recently discovered it
is the same for my elderly aunt, for whom records from the 1950s bring
back a mixture of precious and painful memories.
 
My family has few historic mementos.
 
We have no furniture or jewellery passed down generation after
generation. Both my mother's and father's families lost what few
belongings they had in the terrifying rush to escape the violence of
Partition in 1947.
 
So when I need a reminder of my origins and history, there's only one
experience I can readily turn to for familiarity and comfort. On a
shelf in my flat is a collection of roughly 50 LPs, or records, etched
with several generations' favourite Hindi songs from classic Bollywood
films.
 
Some came from my parents, who bought them in New York City's Indian
district after they emigrated in 1974. Others I've bought in charity
shops around London. I even found an Indian LP in a dusty antique shop
in Casablanca.
 
I love the shape of records - the smooth, round thinness of them.
 
Image copyright iStock
There's the hiss and crackle as the needle meets the disc and
navigates what's known as the "lead-in groove".
 
Watching a black vinyl record spin is hypnotic. It takes me back to
being four years old, when everyone still had rotary dial telephones
and occasionally received telegrams. Listening to an LP still feels
like an immersion. It forces me to listen to the exclusion of
everything else.
 
In the heart of old Delhi, where the chaotic lanes packed with spice
and jewellery shops have changed little in centuries, there are still
some LP treasure troves to be found.
 
I followed the directions I'd been given, but reaching the spot, all I
could see was a grotty hole in the wall. I stood scratching my head
before asking for directions: New Gramophone House?
 
 
--------------------------------------------------------------------------------
 
Find out more
 
Anu's favourite songs are Lag Jaa Gale (Embrace Me) and Chalte Chalte
(Chance Encounter) and Mein to Beghar Hoon (I am Homeless... Take Me
To Your Place)From Our Own Correspondent has insight and analysis from
BBC journalists, correspondents and writers from around the
worldListen on iPlayer, get the podcast or listen on the BBC World
Service or on Radio 4 on Thursdays at 11:00 and Saturdays at 11:30
--------------------------------------------------------------------------------
 
I was shown a wonky concrete staircase at the back. I climbed up -
gingerly minding my head - into an Aladdin's cave. The tiny shop was
packed floor to ceiling with more than 200,000 vintage Bollywood LPs.
 
Owner Anuj Rajpal's family has been selling records since the 1930s.
Originally based in Lahore, they too fled violence at Partition, but
were able to evacuate one lorry-load of records when they came to this
spot in 1947.
 
Today his customers are mostly middle-aged, like me - people who grew
up with records and are overcome by nostalgia at the sight of them.
 
Anuj says his shop is having a major revival after nearly being wiped
out by CDs in the 1990s.
 
 
"It's the sound quality," he says. "People come back to LPs
specifically for that."
 
I bought two immaculate albums, wrapped carefully in plastic sleeves.
 
A few days ago, my elderly aunt who hates to travel even short
distances, paid us a long-overdue visit. Bundled under a shawl and
blanket to ward off Delhi's winter chill, she sat in bed.
 
I brought her a cup of tea and unpacked the records.
 
One called Shabab, or Youth, dates back to 1958 when she was just a
girl.
 
As I set it on the turntable, and we listened to the love-sick,
mournful lyrics, I saw my aunt's eyes glisten, alive with memories.
 
"I haven't heard these songs in years," she said. For the next few
hours, I played DJ while she told me stories from her childhood.
 
The LP covers from those times show chaste black and white images of
lovers in great pain, gazing wistfully at each other.
 
The songs are slow and tend to be about loss, and they evoked in her
the horrors of re-establishing life as Partition refugees.
 
By 1971, when my parents married, the most popular films were about
the complexity of young love. But my favourite records date from later
in that decade when my parents and I, now living in New York City,
would visit an Indian cinema in Manhattan to catch all the latest
movies.
 
Record covers from this decade are flashy, flamboyant and garish.
 
One shows a man in a wide-collared pink silk shirt, buttons open,
hairy chest, a drunken women draped over him. Another features women
screaming, as a cheap B-movie werewolf hauls them away to their doom.
 
 
Indeed even the discs of that time were manufactured in psychedelic
oranges, pinks and greens.
 
My aunt was less keen on the disco era, so I switched back to songs
from Bollywood's golden 1960s.
 
And as we sat for nearly three hours, the needle making a slow,
melodic journey to the centre of each disc - sometimes skipping,
sometimes repeating - we were linked across continents and
generations, our memories set to the soundtrack of love, loss and the
passing of time.
 
Subscribe to the BBC News Magazine's email newsletter to get articles
sent to your inbox.
 
 
Sent from my iPhone
Sent from my iPad
Begin forwarded message:
 
From: Ukindia <ukindia01@yahoo.co.uk>
Date: 25 January 2016 01:11:11 GMT
To: ukindia <ukindia01@yahoo.co.uk>
Subject: The mysterious power of old Bollywood LPs - BBC News
 
 
http://www.bbc.co.uk/news/magazine-35374132
 
The mysterious power of old Bollywood LPs

There are few things that put me in such a nostalgic mood than a vinyl
record of Bollywood songs from my childhood. I recently discovered it
is the same for my elderly aunt, for whom records from the 1950s bring
back a mixture of precious and painful memories.
 
My family has few historic mementos.
 
We have no furniture or jewellery passed down generation after
generation. Both my mother's and father's families lost what few
belongings they had in the terrifying rush to escape the violence of
Partition in 1947.
 
So when I need a reminder of my origins and history, there's only one
experience I can readily turn to for familiarity and comfort. On a
shelf in my flat is a collection of roughly 50 LPs, or records, etched
with several generations' favourite Hindi songs from classic Bollywood
films.
 
Some came from my parents, who bought them in New York City's Indian
district after they emigrated in 1974. Others I've bought in charity
shops around London. I even found an Indian LP in a dusty antique shop
in Casablanca.
 
I love the shape of records - the smooth, round thinness of them.
 
Image copyright iStock
There's the hiss and crackle as the needle meets the disc and
navigates what's known as the "lead-in groove".
 
Watching a black vinyl record spin is hypnotic. It takes me back to
being four years old, when everyone still had rotary dial telephones
and occasionally received telegrams. Listening to an LP still feels
like an immersion. It forces me to listen to the exclusion of
everything else.
 
In the heart of old Delhi, where the chaotic lanes packed with spice
and jewellery shops have changed little in centuries, there are still
some LP treasure troves to be found.
 
I followed the directions I'd been given, but reaching the spot, all I
could see was a grotty hole in the wall. I stood scratching my head
before asking for directions: New Gramophone House?
 
 
--------------------------------------------------------------------------------
 
Find out more
 
Anu's favourite songs are Lag Jaa Gale (Embrace Me) and Chalte Chalte
(Chance Encounter) and Mein to Beghar Hoon (I am Homeless... Take Me
To Your Place) From Our Own Correspondent has insight and analysis
from BBC journalists, correspondents and writers from around the
worldListen on iPlayer, get the podcast or listen on the BBC World
Service or on Radio 4 on Thursdays at 11:00 and Saturdays at 11:30
--------------------------------------------------------------------------------
 
I was shown a wonky concrete staircase at the back. I climbed up -
gingerly minding my head - into an Aladdin's cave. The tiny shop was
packed floor to ceiling with more than 200,000 vintage Bollywood LPs.
 
Owner Anuj Rajpal's family has been selling records since the 1930s.
Originally based in Lahore, they too fled violence at Partition, but
were able to evacuate one lorry-load of records when they came to this
spot in 1947.
 
Today his customers are mostly middle-aged, like me - people who grew
up with records and are overcome by nostalgia at the sight of them.
 
Anuj says his shop is having a major revival after nearly being wiped
out by CDs in the 1990s.
 

"It's the sound quality," he says. "People come back to LPs
specifically for that."
 
I bought two immaculate albums, wrapped carefully in plastic sleeves.
 
A few days ago, my elderly aunt who hates to travel even short
distances, paid us a long-overdue visit. Bundled under a shawl and
blanket to ward off Delhi's winter chill, she sat in bed.
 
I brought her a cup of tea and unpacked the records.
 
One called Shabab, or Youth, dates back to 1958 when she was just a
girl.
 
As I set it on the turntable, and we listened to the love-sick,
mournful lyrics, I saw my aunt's eyes glisten, alive with memories.
 
"I haven't heard these songs in years," she said. For the next few
hours, I played DJ while she told me stories from her childhood.
 
The LP covers from those times show chaste black and white images of
lovers in great pain, gazing wistfully at each other.
 
The songs are slow and tend to be about loss, and they evoked in her
the horrors of re-establishing life as Partition refugees.
 
By 1971, when my parents married, the most popular films were about
the complexity of young love. But my favourite records date from later
in that decade when my parents and I, now living in New York City,
would visit an Indian cinema in Manhattan to catch all the latest
movies.
 
Record covers from this decade are flashy, flamboyant and garish.
 
One shows a man in a wide-collared pink silk shirt, buttons open,
hairy chest, a drunken women draped over him. Another features women
screaming, as a cheap B-movie werewolf hauls them away to their doom.
 

Indeed even the discs of that time were manufactured in psychedelic
oranges, pinks and greens.
 
My aunt was less keen on the disco era, so I switched back to songs
from Bollywood's golden 1960s.
 
And as we sat for nearly three hours, the needle making a slow,
melodic journey to the centre of each disc - sometimes skipping,
sometimes repeating - we were linked across continents and
generations, our memories set to the soundtrack of love, loss and the
passing of time.
 
Subscribe to the BBC News Magazine's email newsletter to get articles
sent to your inbox.
 
 
 
 
a true story of 170,000 Indians stranded in Kuwait when it was
captured by Iraqi troops , with some artistic license to be sure
It is engrossing but should have had a couple of item dances
by debauched Iraqi troops in a night club and the background music
should have Indian instruments , although the one banghra item is
quite good. Already declared a hit in India
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Saturday, January 23, 2016

Digest for rec.arts.movies.local.indian@googlegroups.com - 1 update in 1 topic

habshi@anony.net: Jan 23 08:16PM

a true story of 170,000 Indians stranded in Kuwait when it was
captured by Iraqi troops , with some artistic license to be sure
It is engrossing but should have had a couple of item dances
by debauched Iraqi troops in a night club and the background music
should have Indian instruments , although the one banghra item is
quite good. Already declared a hit in India
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Friday, January 22, 2016

Digest for rec.arts.movies.local.indian@googlegroups.com - 1 update in 1 topic

bhushanpednekar10@gmail.com: Jan 22 12:48PM -0800

On Sunday, January 25, 1998 at 1:30:00 PM UTC+5:30, Gopi C wrote:
 
> Besides playing a black-marketeer in Rangeela, Rajesh also acted in
> Guddu Danoa's Aflatoon. His other films include Kundan Shah's Loveria
> and John Matthew Matthan's Sarfarosh.
 
realy m dam fan of Rajesh Joshi Pakkya...watching many times Rangila for his role ...he play a very natural True Friend & very funny carecter....hats of this man
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Thursday, January 21, 2016

Digest for rec.arts.movies.local.indian@googlegroups.com - 1 update in 1 topic

habshi@anony.net: Jan 21 11:19AM

Highly irritatin montonic western music being played during dances
at award functions. Even the lyrics get drowned out .
It is time to go back to classical Indian instruments and
rythms
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Monday, January 18, 2016

Digest for rec.arts.movies.local.indian@googlegroups.com - 1 update in 1 topic

habshi@anony.net: Jan 17 04:52PM

excerpt
 
http://www.pakistantoday.com.pk/2015/12/24/features/the-stunning-bajirao-masrani/
 
The stunning Bajirao Mastani
Sanjay Leela Bhansali's film is a class apart
 

 
Going to a film with several big names attached to it, there is always
a fear of what you'll see and whether or not it will be up to the
standard the person in question has set in the past. This dread is
even more pronounced if the big name is of someone known not only for
their innovations but also for a reputation of delivering the highest
quality entertainment. Sanjay Leela Bhansali is undoubtedly one of
those names and his latest epic, Bajirao Mastani, does not disappoint.
 
Bajirao Mastani tells the story of Peshawa Bajirao Ballal as played by
Ranveer Singh and his torrid love affair with the witty, pretty and
warrior second wife Mastani, as played by Deepika Padukone. This
period drama weaves a narrative of a warrior falling in love, set
against the background of the Maratha expansionism, the weakening of
the Mughal Empire and the ramifications thereof. Bhansali, a masterful
storyteller that he is, does not neglect the present and actually
plays the story as a parable for the modern day rise of intolerance in
India as well. This brilliant technique of interpreting modern events
against the background of similar historical incidents while also
staying true to the original historical characters, is a difficult
task that Bhansali makes seem effortless.
 
As far as the historical accuracy of the source material is concerned,
it is largely a moot point. The movie has taken certain liberties with
the historical characters and how they were portrayed, especially with
the eponymous characters Bajirao and Mastani themselves, but that is
the cost of an entertaining film. No one goes to the cinema looking
for a history lesson and if someone actually does think that what is
shown on the silver screen is exactly how everything happened is
living in a fool's paradise. The source material also happens to be
the novel "Rau" by N S Inamdar and some creative license is to be
granted here as well.
 
The movie's story follows all the traditional formulas, but does it
well. The film has a strong opening with a short prologue where the
titular Bajirao is introduced. Everything from the music to the
dialogues screams power and attention to detail. With this strong an
opening, the cynics might expect the quality of the movie to taper
off, but it does nothing of that sort. The movie continues to amaze us
and build more excitement until the denouement where you see some
extensive symbolism, down to the delirious ramblings of Bajirao and
the restlessness of Mastani. The entire story builds into a frantic
crescendo, never slowing down enough for people to get bored.
 
I have praised Deepika's acting as a carefree manic pixie dream girl
in Tamasha before, and I would like to compliment her again now as she
has outdone herself as Mastani in this film. Her character is layered
and so is her performance. Whether it is the warrior who would stop at
nothing to deliver the message she was tasked to deliver or the gentle
lover who can fall madly in love with the handsome young warrior that
saved her life, Deepika embodies every bit of the character
effortlessly. Her classical dance moves are as good as her fight
choreography.
 
Ranveer Singh portrays Peshwa Bajirao Ballal, the Prime Minister to
the Maratha Emperor and a fearless, brilliant and witty warrior.
Ranveer embodies his role as if he is Peshwa Bajirao; Bajirao himself
would probably find it difficult to find fault in his performance. His
dialogue delivery, timing and acting are all well done. Especially in
the final scene where we see Bajirao in throes of delirium, fighting
off the imaginary demons, Ranveer Singh's performance was
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Sunday, January 17, 2016

Digest for rec.arts.movies.local.indian@googlegroups.com - 3 updates in 3 topics

alt.fan.jai-maharaj@googlegroups.com (Dr. Jai Maharaj): Jan 17 06:47PM

Wazir: Starts promisingly, unravels badly
 
thehindu.com
January 10, 2016
 
What good is a thriller if it doesn't take you to the
edge of the seat and hold you there? . . .the clumsy
explanation of all the details of the slender plot and
the spoon-feeding of the audience makes it even worse. It
even takes away any pretence to intrigue that the entire
construct may have had. . . .
 
Continues at:
 
http://www.thehindu.com/features/cinema/cinema-reviews/wazir-starts-promisingly-unravels-badly/article8081319.ece
 
Jai Maharaj, Jyotishi
Om Shanti
 
http://bit.do/jaimaharaj
habshi@anony.net: Jan 17 05:07PM

A short movie by Bollywood standards which keeps you
mesmerized but the lack of an item dance has cost it dear the box
office
habshi@anony.net: Jan 17 04:52PM

excerpt
 
http://www.pakistantoday.com.pk/2015/12/24/features/the-stunning-bajirao-masrani/
 
The stunning Bajirao Mastani
Sanjay Leela Bhansali's film is a class apart
 

 
Going to a film with several big names attached to it, there is always
a fear of what you'll see and whether or not it will be up to the
standard the person in question has set in the past. This dread is
even more pronounced if the big name is of someone known not only for
their innovations but also for a reputation of delivering the highest
quality entertainment. Sanjay Leela Bhansali is undoubtedly one of
those names and his latest epic, Bajirao Mastani, does not disappoint.
 
Bajirao Mastani tells the story of Peshawa Bajirao Ballal as played by
Ranveer Singh and his torrid love affair with the witty, pretty and
warrior second wife Mastani, as played by Deepika Padukone. This
period drama weaves a narrative of a warrior falling in love, set
against the background of the Maratha expansionism, the weakening of
the Mughal Empire and the ramifications thereof. Bhansali, a masterful
storyteller that he is, does not neglect the present and actually
plays the story as a parable for the modern day rise of intolerance in
India as well. This brilliant technique of interpreting modern events
against the background of similar historical incidents while also
staying true to the original historical characters, is a difficult
task that Bhansali makes seem effortless.
 
As far as the historical accuracy of the source material is concerned,
it is largely a moot point. The movie has taken certain liberties with
the historical characters and how they were portrayed, especially with
the eponymous characters Bajirao and Mastani themselves, but that is
the cost of an entertaining film. No one goes to the cinema looking
for a history lesson and if someone actually does think that what is
shown on the silver screen is exactly how everything happened is
living in a fool's paradise. The source material also happens to be
the novel "Rau" by N S Inamdar and some creative license is to be
granted here as well.
 
The movie's story follows all the traditional formulas, but does it
well. The film has a strong opening with a short prologue where the
titular Bajirao is introduced. Everything from the music to the
dialogues screams power and attention to detail. With this strong an
opening, the cynics might expect the quality of the movie to taper
off, but it does nothing of that sort. The movie continues to amaze us
and build more excitement until the denouement where you see some
extensive symbolism, down to the delirious ramblings of Bajirao and
the restlessness of Mastani. The entire story builds into a frantic
crescendo, never slowing down enough for people to get bored.
 
I have praised Deepika's acting as a carefree manic pixie dream girl
in Tamasha before, and I would like to compliment her again now as she
has outdone herself as Mastani in this film. Her character is layered
and so is her performance. Whether it is the warrior who would stop at
nothing to deliver the message she was tasked to deliver or the gentle
lover who can fall madly in love with the handsome young warrior that
saved her life, Deepika embodies every bit of the character
effortlessly. Her classical dance moves are as good as her fight
choreography.
 
Ranveer Singh portrays Peshwa Bajirao Ballal, the Prime Minister to
the Maratha Emperor and a fearless, brilliant and witty warrior.
Ranveer embodies his role as if he is Peshwa Bajirao; Bajirao himself
would probably find it difficult to find fault in his performance. His
dialogue delivery, timing and acting are all well done. Especially in
the final scene where we see Bajirao in throes of delirium, fighting
off the imaginary demons, Ranveer Singh's performance was
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Sunday, January 10, 2016

Digest for rec.arts.movies.local.indian@googlegroups.com - 1 update in 1 topic

alt.fan.jai-maharaj@googlegroups.com (Dr. Jai Maharaj): Jan 11 12:02AM

Dismantling Nehru-Gandhi Film Censorship Regime
 
niticentral.com
Monday, January 11, 2016
 
http://www.niticentral.com/2016/01/11/censor-board-revamp-339626.html
 
Jai Maharaj, Jyotishi
Om Shanti
 
http://bit.do/jaimaharaj
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Saturday, January 9, 2016

Digest for rec.arts.movies.local.indian@googlegroups.com - 2 updates in 2 topics

alt.fan.jai-maharaj@googlegroups.com (Dr. Jai Maharaj): Jan 09 11:35PM

Censor Board reforms process kickstarted
 
niticentral.com
Sunday, January 10, 2016
 
http://news.niticentral.com/2016/01/10/censor-board-reforms-process-kickstarted/
 
Jai Maharaj, Jyotishi
Om Shanti
 
http://bit.do/jaimaharaj
alt.fan.jai-maharaj@googlegroups.com (Dr. Jai Maharaj): Jan 09 10:08PM

Intolerance over Telugu Movie Poster
 
niticentral.com
Saturday, January 9, 2016
 
http://news.niticentral.com/2016/01/09/intolerance-over-telugu-movie-poster/
 
Jai Maharaj, Jyotishi
Om Shanti
 
http://bit.do/jaimaharaj
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Friday, January 1, 2016

Digest for rec.arts.movies.local.indian@googlegroups.com - 1 update in 1 topic

ragt9176@gmail.com: Jan 01 10:52AM -0800

Hi all,
Just bumped into this thread. Would like to share an interesting trivia. Kiran Vairale acted in a Kannada movie with Anil Kapoor and this was Mani Ratnams directorial debut movie. Name Pallavi Anu Pallavi. One of its famous songs is " naguva nayana madhura mouna" you can find it on youtube.
 
The music from this song as lifted by one of the telecom companies in their ads a few years ago.
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